Tuesday, November 4, 2008
Saturday, October 25, 2008
grover thurston gallery
I've been meaning to post this gallery for a while because they have very good taste. These works are displayed at the Grover/Thurston Gallery on Occidental Ave S Seattle. The colored oil is Terry Turrell, and the black and whites are Rachel Brumer.
http://www.groverthurston.com/
How I've been feeling lately:
And how I want to feel:
Friday, October 17, 2008
The Vasco Project
Naked Campaign
He sketches politics.
http://feeds.newyorker.com/services/rss/feeds/naked_campaign.xml
Tuesday, October 14, 2008
Tuesday, September 23, 2008
Henry Darger
reclusive
american writer and artist
janitor
posthumously discovered
1973
drawings and water colors
outsider art
art brut
first world war
born at home
Rose
catholic
impoverished
"Little Henry's heart is not in the right place."
self-abuse
euphemism
feeble minded children
adult lies
strange noises
irritated others
forced labor
In the Realms of the Unreal
to be fair
this journey
attempted escapes
central Illinois
loving family
solitary
solitary
solitary
second-floor room
"Artist" and "Protector of Children"
Friday, August 29, 2008
Tuesday, August 26, 2008
not so fresh thought
just reminded of mortality while exiting I5
on Pacific
and driving through dos symetrically crossed
items of road kill.
it was like passing through the
Southern Oracle's sphinxes
in the
Story that Never Ends.
Monday, August 25, 2008
Sunday, August 24, 2008
391
If Dada, as claimed by the Dadaists, was a noisy alarm that woke up modern art from merely aesthetic slumber, then this Picabia drawing shows us how the alarm was sounded. It is the wiring diagram of a Dada alarm clock (made in Switzerland in 1919) which historically plots the flow of the current of modern art, from Ingres to 391, Picabia's own Dada magazine.
For the nonmechanically minded, some words of explanation as to how this machine works:
To the left we see a battery in cross section, with the electircal current moving in waves between the positive and negative poles, properly represented: the former in black, the latter in white (and with the ladderlike pattern that conventionally associates the negative with neutral or ground). French modernism is attracted to the stable, negative pole (and therefore to tradition), and rises historically until it reaches (with the help of Walter Arensberg, patron to French artists in New York) the rectangular transformer that bears the Dada name. Around the top of the active, positive (and therefore antitraditional) pole is an international cluster of innovative early twentieth–century artists, headed (of course) by Picabia himself. This positive pole directly connects with the Dada clock. The negative pole of French modernism, however, has to pass through the Dada transformer before it can be wired up to that inner circle. (Even then the wiring job looks amateur and not entirely convincing, but apparently it works.) When thus connected, the circuit is completed.
John Elderfield, The Modern Drawing: 100 Works on Paper from
The Museum of Modern Art, New York
Monday, August 11, 2008
gray
Friday, August 1, 2008
intro
I'm not sure if we've officially met."
"Nice to officially meet you. NPR has a 2+ hr concert I’m still listening to:
http://www.npr.org/templates/story/story.php?storyId=92916923"
"recorded live no less."